“Seth material” search engine (Jane Roberts)

In a fashion you see your father as inventive, creative, and highly vulnerable. These ideas merge with conventional beliefs about age, so that it seems you must take stock. But when you take stock with the feelings we are describing as the emotional yardsticks, those feelings consider valid only the beliefs that go along with them—a traditional male role: the accumulation of money through traditional means—and they discount as legitimate the accumulation of knowledge or wisdom as a pursuit of life. Your mother would say “posh.”

(9:47.) The idea of a simple job attracts you because it separates your ideas of art from money—but in order to content you it could not involve money at all, for even commercial art brings you to the matter of the artistic ideal and its practical presentation.

His understanding is growing by leaps and bounds, but it is highly important that you both get back to what you think of as important—your work, which should also be your play, and also to your love-making. And in that area, you should also forget any idea of sex roles in conventional terms.

That area has also suffered because of your joint ideas of what artists should be like, and what men and women who happen to be artists should be like. Think that one over. That emotional flow is important.