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TPS5 Deleted Session November 6, 1979 5/59 (8%) foreign Crowder money Prentice Ariston
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session November 6, 1979 8:56 PM Tuesday

[... 5 paragraphs ...]

(We’ve lost the old sense of freedom we had with Prentice-Hall, where we can just do our work, ship it to them, and expect it to be well handled, with royalties paid every so often and a trust both felt and expressed between the two sides. Now we’ve become suspicious of everything they tell us. Jane still has on hand the contracts for Mass Events and God of Jane waiting for these to be straightened out: amended with Tam’s promised “superamendment” that’s supposed to protect us in the rights departments, paperback covers, and all the rest; jacket copy, etc. Prentice-Hall even wanted to have Jane sign contracts giving them the right to take money from Mass Events to pay for God of Jane. I sometimes have the feeling that we’re little more than ciphers to them. I for one am in favor of taking a stand, as Jane well knows, but as I’ve told her, I don’t expect her to go along. I think she’d be too terrified to be without a publisher, if it came to that, whereas my fighting blood is aroused and I’d be perfectly willing to let the chips fall where they may.

[... 3 paragraphs ...]

(I am merely making these observations here to get them on the record for possible later reference, and to give some background to my own personal problems of recent days. If I ever do any more extensive writing about the situation, then at least I’ll have dated material on file.

[... 10 paragraphs ...]

You have made rather sharp definitive divisions between the artistic world and the business world. Such divisions of course do exist. You have perhaps delineated them with a rather thorough determination, so that the contrasts are brilliantly apparent. I am trying to separate these strands, so bear with me.

[... 7 paragraphs ...]

I am in no way putting the business world down. People in it have their own abilities and drives. As a rule, however, it is foolhardy to expect them to have a sense of the artist’s values, whatever the art may be, and then to become upset when they do not live up to that picture.

[... 17 paragraphs ...]

I would try to be content with the self that I am, and rejoice in my uniqueness, and tell myself that my energy could flow freely in all areas of my life, and the physical problem will then easily clear itself.

[... 11 paragraphs ...]

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