“Seth material” search engine (Jane Roberts)

Now: Framework 2’s communications system is set into motion as a primary rather than as a backup system of communications. When you learn to cut through the static—if you trust the system of communication—this is how it works.

(9:38.) First of all, you clear your wires by trying to clear your mind, and simply by trying to understand how Framework 2 works. You think of, say, any event in a book’s production, distribution, translation or whatever, as the kind of multidimensional creative effort and event I have tried to explain. All of those other people are connected to that event in Framework 2 on a nonphysical level, as they are connected on a physical level. Framework 2’s communication system is at once simpler and more complex that Framework 1’s. Just as, say, your intent to paint a picture automatically has your fingers all moving in the proper directions, and your body manipulating properly, so that the desired painting results, so in a larger fashion your clear intent is communicated to each of the people involved—at a level without static—yours or theirs.

Mankind’s most majestic experiences, and his most unfortunate, still come from that same great creative force. I have been very careful in my use of the word love, because it is so bandied about and distorted—but all creativity, and any work of art, and any life, springs from love—a love that automatically brings all things into their own kinds of order. The artist paints because he loves to. His brain and fingers are able to produce a painting because they are themselves formed of love.

(Earlier in the month I’d grown so disgusted with the whole business that I’d resolved not to bother asking Seth for help—then before tonight’s session I’d spontaneously had the idea that I would ask if I got the chance. I reread daily many of the private sessions he’s given for us in the last year or two—especially those in Book 20. A number of those deal with my challenges involving the side, groin, taxes, and so forth. I seem to be a slow learner; either that or my accumulated resentments seem to be so deeply ingrained that I should work much harder at eradicating old beliefs.)

(Pause.) In a capsule, comparing yourself to what you think you should be, and largely because of troubles with communication. You wanted to communicate love of our work, and instead you felt that you could only communicate resentment at what you felt had been done to it. You felt like a victim.