“Seth material” search engine (Jane Roberts)

You set a far more favorable group of probabilities into motion, a group that aids you and them as well, for they are also seeking creativity from their separate viewpoints. They are also fighting their own static. You do not have to contact them one by one in Framework 2. The book itself is like a magnet—any book. The same kinds of reactions, however, are involved in all activities, and it is sometimes frustrating for me that you cannot perceive the fascinating facets of any event. All group interactions of course are involved here. (Pause.) You still —and I do not simply mean you two alone—do not feel the unsurpassable force that thoughts have. You do not understand that they do form events, that to change events you must first change thoughts. You get what you concentrate upon. To brood or worry, or become resentful, is as regrettable as it would be if you, say, painted a big X over one of your paintings because you were dissatisfied with a detail or two. Over a period of time, resentments X out large areas of otherwise productive experience.

(Earlier in the month I’d grown so disgusted with the whole business that I’d resolved not to bother asking Seth for help—then before tonight’s session I’d spontaneously had the idea that I would ask if I got the chance. I reread daily many of the private sessions he’s given for us in the last year or two—especially those in Book 20. A number of those deal with my challenges involving the side, groin, taxes, and so forth. I seem to be a slow learner; either that or my accumulated resentments seem to be so deeply ingrained that I should work much harder at eradicating old beliefs.)

(Pause.) In a capsule, comparing yourself to what you think you should be, and largely because of troubles with communication. You wanted to communicate love of our work, and instead you felt that you could only communicate resentment at what you felt had been done to it. You felt like a victim.