“Seth material” search engine (Jane Roberts)

Now: We want to publish the book—and I will here continue, for our purposes, dealing with a book’s production rather than a painting’s. Still, however, we will keep the idea of a painting for a different reason. Now think of the book’s production and everything connected with it as being part of the same kind of creative activity, but in an arena where events as you think of them become the medium. It is as if—forgive the crossing analogies—the production of the book (pause) is transferred to another level. A living peoplescape in which each person who plays a part in that book’s production now joins the creative act at this secondary level as far as you are concerned.

(10:10. “I had a funny feeling before the session,” Jane said. “That it was one of those times when he had to dribble the material down to me word by word. It made me feel real impatient—not on his part but my own. I also had the feeling that there are about five frameworks out there, but that everything has to come down to us through Framework 1 before we can understand it.”