“Seth material” search engine (Jane Roberts)

Your reality, and the reality of those people, exists primarily in Framework 2. Already in Framework 2 decisions beyond number have occurred, computations beyond number have been made, resulting in this particular reference frame of probabilities existing at the time. In one way or another, there are connections uniting everyone involved in such processes. There are reasons beyond business that make the people at Prentice involved with books rather than, say, toy manufacturing, or other even more profitable ventures.

(9:19.) The artistic acts always directly involve strong direct interactions with Framework 2. In the production of our book we want, say, people we may not even know to come together in certain fashions to make certain decisions that will be in direct agreement with our own creative intent. They each have their own lives and their own interests and intents, their own problems. We cannot move them around like toy people on a game board. When you continue to think of events—and publishing is one—as multidimensional creativity, involving many people instead of one, then you have some leverage to help you understand. In Framework 2 each person is connected to each other person. I have given you a good deal of material explaining how information is communicated both on a cellular basis and on a mental one—how it is communicated through the dream state, and I have explained the importance of impulses as direct nudges from Framework 2.