“Seth material” search engine (Jane Roberts)

Behind your questions, however, there lies a vast area of unasked questions that we have barely touched upon. In dealing with Frameworks 1 and 2 alone, I have been simplifying, and those frameworks in a way represent (underlined) dimensions of events. How events happen is perhaps one of the greatest “mysteries” that you will encounter in physical life. Often I do need analogies, for to me that simultaneous, creative, cooperative nature of events exists with a sublime simplicity—a simplicity I am afraid that of necessity becomes complex as I try to describe it in terms that will make sense in your space-time framework.

Begin with the idea of a book. That idea alone instantly mobilizes, say, Ruburt’s abilities, and the same applies to any writer. There is only one person involved. The same applies to an artist, so for simplicity’s sake we will start with a single creative event—the idea the writer or artist has already geared himself, through training and practice, through intent and expectation, to receive to begin with.

You set a far more favorable group of probabilities into motion, a group that aids you and them as well, for they are also seeking creativity from their separate viewpoints. They are also fighting their own static. You do not have to contact them one by one in Framework 2. The book itself is like a magnet—any book. The same kinds of reactions, however, are involved in all activities, and it is sometimes frustrating for me that you cannot perceive the fascinating facets of any event. All group interactions of course are involved here. (Pause.) You still —and I do not simply mean you two alone—do not feel the unsurpassable force that thoughts have. You do not understand that they do form events, that to change events you must first change thoughts. You get what you concentrate upon. To brood or worry, or become resentful, is as regrettable as it would be if you, say, painted a big X over one of your paintings because you were dissatisfied with a detail or two. Over a period of time, resentments X out large areas of otherwise productive experience.