“Seth material” search engine (Jane Roberts)

Now: We want to publish the book—and I will here continue, for our purposes, dealing with a book’s production rather than a painting’s. Still, however, we will keep the idea of a painting for a different reason. Now think of the book’s production and everything connected with it as being part of the same kind of creative activity, but in an arena where events as you think of them become the medium. It is as if—forgive the crossing analogies—the production of the book (pause) is transferred to another level. A living peoplescape in which each person who plays a part in that book’s production now joins the creative act at this secondary level as far as you are concerned.

Ideally that force is to a large extent self-protecting. It is also perceived to whatever degree possible (underlined) by all those at Prentice who are involved. At Framework-2 levels those people want to produce an excellent book. Their desire is not as vigorous as yours. It is watered down by far more Framework 1 activity. There is much “static” at that level.