1 result for (book:tps5 AND heading:"delet session novemb 12 1979" AND stemmed:would)

TPS5 Deleted Session November 12, 1979 7/47 (15%) Wonderland play Michelangelo masterpiece artist
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session November 12, 1979 8:49 PM Monday

[... 16 paragraphs ...]

(Long pause.) As a child, with no preconceived ideas in normal terms, you drew and wrote stories. Ruburt wrote stories or poems, and drew. The natural impulses were allowed their free play. Later you believed that artists should be artists. The concentration in painting should be so intense—should be—that there would be no thought of any other occupation. The concerns of the world, its progress or lack of it, the nature of existence—none of those issues would interfere with such an artistic vision.

As in the case of Cézanne, masterpieces would justify all else. Even relationships would make no difference—and Ruburt in his way made the same judgments about the “writer.”

[... 3 paragraphs ...]

An artist or writer, believing such selective nonsense, will of course find all of his or her other creative abilities a distraction, a bother, a temptation that is bound to detract from the main genius, rather than add to it, deepen its application, and add an orchestration to its subjective moods that would otherwise be quite lacking (all intently).

Leonardo da Vinci and Michelangelo, for example, would have gone out of their minds, acting as it seems people sometimes believe that an artist should act. Their stories have been greatly romanticized to fit the picture, if you will forgive the pun.

[... 1 paragraph ...]

That applies even more of course to Da Vinci, who was a social dilettante besides, but a man of incredible vision—a psychic if you prefer, who invented in his mind gadgets that would not physically come into your world for centuries.

[... 8 paragraphs ...]

Sometimes the advice I give you at any given time is meant to take the place of natural creative corrective behavior that ideally you would have taken on your own, but did not.

[... 2 paragraphs ...]

If you would try to see your own creative unity, then both your painting and your writing would give greater satisfaction, and become richer—your prose inspired by your imagery, and your painting by your ideas, so that both are sparked, producing not only products but a creative vision that sees reality through an extension that would be the natural art of consciousness, meant to blossom from those abilities.

[... 9 paragraphs ...]

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