“Seth material” search engine (Jane Roberts)

Now: creativity is basically a mental proposition, a mental or psychic activity. It is also, like physical exercise, an energizing phenomena, one that expands and extends the mental and psychic properties as surely as physical exercise develops the body’s being. (Pause.) What you are dealing with, then, in creativity is a continuing kind of psychic play, an activity that probes into the nature of inner reality and explores it with as much sheer vitality as that with which the child explores physical reality. The child runs, falls down, skips, spins, climbs, swings, tries out its body in as many ways as possible, and naturally explores the body’s relationship with its environment. Then the child explores the environment itself.

(9:15.) It learns that in a fashion sounds are “stacked” inside the mind before, say, words are spoken. (Pause.) That kind of mental and psychic expansion in one way or another constantly occurs. In conventional art you end up with a product on many such occasions—a book or painting or whatever—as you attempt to define in physical terms the reality of an inner existence with which you have always been familiar, and to leave in physical reality some evidence, however slight, of inner visions that flicker within all consciousness.

That applies even more of course to Da Vinci, who was a social dilettante besides, but a man of incredible vision—a psychic if you prefer, who invented in his mind gadgets that would not physically come into your world for centuries.

None of your abilities contradict each other, or oppose each other, or minimize each other, or in any way negate any of your probable accomplishments. They are meant to be creatively stacked, not just to be combined for example in conventional terms, but the abilities naturally are psychically merged. They mean that your own consciousness, as you think of it, has a slant, a potential, a rich combination a peculiar savored blend that is meant to be its own creative brew (very intently).

The creative products are important. They are physical landmarks of psychic and artistic inner journeys, but what you do with your consciousness, how you extend it, is even more important, for as physical play is meant to lead to a future physical body that is mature and fulfilled, so the creative nature of that kind of inner play leads to future extended consciousness, an inner being that is the mature version of an earlier self.

As long as you feel, for example, that there is a conflict between your writing and your painting, then (underlined) you must somehow or other give each an equal-enough play, or you become upset. After your bout (of illness) I therefore suggested you go back to painting—which is important to you, and it is quite true that when you do not paint for a while you feel uneasy, and psychically out of balance. The feeling of competition between the two abilities operates in the other fashion, of course, so that if you have not been writing you feel the same unease.