“Seth material” search engine (Jane Roberts)

(Pause.) He considered himself to be excellent at his work. It gave him a professional respectability, a feeling of worth and merit. He found it—his occupation—to be a responsible one, befitting an adult. The occupation filled many of his needs and expressed some of his abilities. In his spare time, however, for a lark, simply because he wanted to, he wrote his Alice in Wonderland—a book that is a masterpiece at many levels. What a shock when he discovered that the world was ignoring what he thought to be his important contribution to mathematics. He believed (underlined) that he should devote all of his time to his work, and could hardly forgive himself for his regrettable lapses into writing—and he was writing, after all, not even for adults, and not for young males either.

(9:15.) It learns that in a fashion sounds are “stacked” inside the mind before, say, words are spoken. (Pause.) That kind of mental and psychic expansion in one way or another constantly occurs. In conventional art you end up with a product on many such occasions—a book or painting or whatever—as you attempt to define in physical terms the reality of an inner existence with which you have always been familiar, and to leave in physical reality some evidence, however slight, of inner visions that flicker within all consciousness.

This session should be of excellent use, really, to both of you—and remembering the playful nature of creativity will help Ruburt get back to his book. He does that by forgetting the book, and playing with the ideas that it contains.

You “were” right, then, when you worked on the book before your bout, and during that time you trusted yourself—but then your ideas of the comparative nature of your ideas intruded, triggered at that time by (news of) Crowder’s death, and the ensuing beliefs about the male role in society, and as that applied to your own talents. Left alone, ideally, you might have taken a week of joyful painting, during which time your mind refreshed itself, and new ideas about your notes accumulated. Telling you—or rather suggesting—that you paint simply put you on that course. Do you follow me?