“Seth material” search engine (Jane Roberts)

The physical act of writing itself takes time. Basically, however, creative acts, the acts of insight, intuition, of revelation, do not take time in the same fashion. They often appear suddenly. A moment’s insight, for example—a moment’s—might carry you in a flash where your intellect alone could not travel in years.

It might take you years, possibly, to thoroughly discuss all of the ramifications of that insight, but the original creation comes from Framework 2 into your time. Taking it for granted, again, that physical limitations of time exist. Nevertheless when you become overly concerned with the seeming shortness or lack of time, it is almost always because you have fallen back to conventional ideas: you have only so many moments in a day. But the conventional version says, really, that those are surface moments; that you, say, run from one to the next, as if time were a moving sidewalk with the past moment vanishing forever.

In the first place, your intuitions are of course always working. Regular working hours can give you a time framework you need, in which those ideas can appear, but the ideas themselves, and the insights, often come to you particularly when you are not thinking of work. When you are doing any of a number of other things, encounters with others that often appear as distractions, are instead springboards for insights that you may not have had otherwise.

He did not remember this afternoon’s message. The reason he did not is also the reason why people often do not remember certain dreams. The real communication is not verbal. It is not, say, a simple declaration, but involves realizations and insights of vital import that are given purposefully in such a way that they will gradually be sifted into consciousness because consciousness, the consciousness, would not be able to interpret the meanings in usual terms. This is not a good analogy particularly, but it is as if you received an important communication, say, three paragraphs of great import, with all the individual letters appearing, but not in their proper sequences, and gradually the letters would float together to form the proper words, and then the words would float together to form the proper sentences, and so forth.