“Seth material” search engine (Jane Roberts)

In the dream state you deal with objects that may or may not have a physical reality. You mix times and places, and the dream itself is a kind of completed act. Creativity allows you, while awake, to ignore or even to contradict what seems to be the hard evidence of known reality, either in large or small terms. The creative act involves you in a process whereby you bring from a mental dimension new events into the world that were not there before.

(9:35.) In your painting, you are constantly involved with bringing some event into the world that was not there before. You fill the gap. You recognize the absence in the present of the physical painting you want to produce, and your creativity brings that painting into reality. With ideas, with our books, you deal, both of you, with such issues all the time. There is so much physical evidence in the world. It has been put together through the centuries, in your terms, in countless ways, bringing pictures of reality, each vivid, each contradicting the other to some extent. When man believed the world was flat, he used his thought processes in such a way that they had great difficulty in imagining any other kind of world, and read the evidence so that it fit the flat-world picture.

If you began to think in terms of beautifully produced books, without imagining impediments, then automatically the process would begin. You would be led to make proper suggestions, for example, ahead of time, or the creative process of someone in the art department would suddenly be stimulated to a new idea, or whatever. You would ignore any evidence to the contrary, except that you would recognize a gap to be creatively filled.