“Seth material” search engine (Jane Roberts)

Ruburt may suddenly have an idea for a book. He wants to write it. In physical terms that book is not before his eyes. It has not been written, it has not been published. The evidence says physically that there is no such book. It is not a part of the world’s physical evidence. The idea for the book may come from a dream, or in that state of creativity where dreams reach toward physical actualization. Now Ruburt could say “I cannot write that book, or wonder how many pages it might have,” or think of the endless impediments that might prevent the book from being written. Instead, he simply ignores the physical evidence of the book’s absence, and creatively begins to write.

I want you both to look at Ruburt’s physical condition in the light of what I have just said about creativity always contradicting the evidence to some degree. In your works, you both automatically have the courage, the daring, to allow creativity its way. To some extent, however, you are both still hypnotized by the evidence of Ruburt’s condition—where instead it should be used as a jumping-off board, as a gap to be filled with reality (emphatically). When you create you dream. Creativity, again, thrives on dreaming, and dreaming serves as a conduit for Framework 2’s activity. You do not concentrate on what stands in your way. You do not imagine impediments.

If you began to think in terms of beautifully produced books, without imagining impediments, then automatically the process would begin. You would be led to make proper suggestions, for example, ahead of time, or the creative process of someone in the art department would suddenly be stimulated to a new idea, or whatever. You would ignore any evidence to the contrary, except that you would recognize a gap to be creatively filled.