“Seth material” search engine (Jane Roberts)

Many needs were seemingly met by the physical condition. A lack of understanding is behind the issue, of course, but the spontaneous self was also taken into consideration, so that inner mobility—the acceleration of ideas and experience—was allowed for. Some dampers were put there also, but not because one part of the self conspired against another part. It was a give-and-take situation; protection being used where it was felt it was needed.

The answer to that is simple. You both insist upon applying quite intellectual concepts to creative work, and ignoring Ruburt’s natural rhythms. He works in great bursts of activity, but instead of understanding this, and trusting the quiet periods and the creative self, he is up in arms. The creative self is playful and spontaneous. It follows his natural rhythms. The fear of not producing, however, can inhibit his productivity, and wear him out with worry.

In lovemaking, when you forget yourselves to some extent, spontaneity is also aroused, and the healing processes brought into play through the touch of hand and caresses. It is the most therapeutic of practices in all cases. It reassures both individuals in the basic worth of the self. It increases all healing functions, and despite churchly tales to the contrary, it regenerates and inspires the creative abilities.