“Seth material” search engine (Jane Roberts)

The slap could bring pleasure or pain. In its moment-to-moment reactions, the body consciousness is, you might say, “literal-minded.” It reacts literally, say, in that regard, to symbols. The symbols are the realm in which interpretations are made, but the body must always react moment by moment at that level of activity, irregardless of a vast knowledge of probabilities.

Ideas of course are highly important, for they are a part of your interpretation of the world, of personal events, and they are a part of the symbolizing process. The body consciousness is geared for action, vitality, growth, curiosity, excitement, whether it be mental or physical. If there is a large body of beliefs, however, that dampen those bodily purposes, that encourage timidity rather than courage, promote fear rather than faith, then you run into difficulty—particularly if the grounds for those beliefs are not present in any given moment.

With that in mind, Leonard’s problem upset you not only because he was and is a friend. You did not get that upset over Bill Gallagher. Leonard lives alone, however, and though he has brothers and sisters, you thought of him as alone. The situation triggered many fears, about you and Ruburt being alone, your age, the age of your brothers, who would come to your aid, or Ruburt’s. If necessary, Leonard at least had a knowledge of the medical world, while you and Ruburt do not. The connection between Leonard working at the school, and Loren—all that was in the background. One event or another would serve to connect all of those issues. This noon, for example, after going downtown, leaving your painting, you found that Ruburt wanted a few more windows done, and the innocent window became a symbol, combining the idea of chores with your fear: if anything happened to you, who would do the chores for Ruburt?