“Seth material” search engine (Jane Roberts)

(Jane said she’d have a session for me after supper. I replied that it didn’t seem to matter. I was still uncomfortable at session time, still wondering whether my feelings were physical or emotionally based, though somewhat better too. At nap time I’d had a very vivid dream in which I was driving a new blue pickup truck down a hill. I had an accident of some sort that left the truck half hanging off the road over a steep drop to the valley below; I had a view of this from below. No one else was involved in the accident, though, and the truck did stay on the road. As it happened I woke up with a start, feeling at first what I thought was a spasm in my chest, but quickly realized it was a part of my dream reaction. Mixed in here somehow were thoughts I’d been entertaining today about glazing the underpainting for a head I’d done in green a couple of weeks ago. I’d wanted to work on it this morning but had postponed doing so until tomorrow, so I could quit painting early this morning. Strangely, the spasm episode in the dream involved the color effects I knew I’d get when I glazed the painting: I was vividly aware of the texture of the underpainting as the green color was altered into flesh color by the overlay of warm flesh colors in oil.

(9:35.) A few such thoughts were semiconscious. The idea of activity, of the body wearing down—all of those issues contributed. The body consciousness reacted with stress, for your fears tell it that there is immediate danger. It experiences your projected negative pictures as present, for your fear is immediate. Yet none of its own sources of information show any cause for alarm: you are both obviously in the house together. Ruburt is safe.