“Seth material” search engine (Jane Roberts)

(Softly:) Your existence is protected, your works are protected. Those statements are self-evident to me, while you of course are still in the process of thinking them over, and trying to fit them into the context of life as you know it. To that extent, then, of course our attitudes would be different. In any case, when you were first working with Frameworks 1 and 2, you saw many examples of Framework 2’s activities, as they impinged into your reality, and you were quite pleased. Your living experiences often gave you clues one way or another that added to the thematic material.

In other words, the books are considered to have some social life. (Pause.) You are, or we are, certainly criticizing many of the aspects of your society. In that particular book (Mass Events)—rather powerful honored aspects, and criticism will (underlined) meet criticism. At the same time, as the book’s criticism has a good import, so is the disclaimer in its fashion a creative example, again, of the book’s premise, and also would serve for that matter in a way that may not have been anticipated: with the disclaimer the book may well sell more copies by far than it would otherwise (humorously), for people will be curious about what such a volume might contain that will be dangerous to the public good.