1 result for (book:tps5 AND heading:"delet session april 9 1980" AND stemmed:spontan)

TPS5 Deleted Session April 9, 1980 5/52 (10%) spider artist web esthetic acclaim
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 9, 1980 9:01 PM Wednesday

[... 11 paragraphs ...]

Many such creatures merge their arts so perfectly into their lives that it is impossible to separate the two: The bee’s nest, for example, the beaver’s dam—and there are endless other examples. This is not “blind instinctive behavior” at all, but the result of well-ordered spontaneous artistry. It is foolish to say that the spider’s web is less a work of art because the web can be formed in no other way by a spider, since for one thing the differences in the individual webs are not obvious to you, only to the spiders.

[... 5 paragraphs ...]

Instead he focuses his abilities into the matter at hand—easy enough, you might certainly say, for the spider, yet not so easy for the man. The fact is, of course, that in the most basic manner, now, the man—the natural man—possesses that fine, keen spontaneity and inner confidence.

[... 2 paragraphs ...]

Those ideas have been in your mind for some time, and they automatically throw a damper on your creative spontaneity. There are all different kinds of artistic development, of course, some more than others directly concerned with the play of life itself upon the artistic capacity, so that generally speaking, now, there are certain kinds of developments that in your world require the personality’s encounter with years of experience. That experience becomes art’s sometimes invisible ingredient.

[... 2 paragraphs ...]

Each such vision is unique, so there are no real guidebooks, and each artist chooses the ways in which life and art will interrelate, so to speak. The process is natural, and it happens spontaneously when you allow it to.

[... 11 paragraphs ...]

(10:05.) The natural man has a body. When you assail yourself for how you think you have handled or not handled your natural artistic abilities, then you are assailing the natural man. When you assail yourself you are assailing the natural man. You are disapproving of your natural characteristics, as if an animal took a dislike or dissatisfaction to its own color. You become annoyed by the spontaneous, natural tension that is a part of your artistic being—and that tension becomes physically translated in the body.

[... 15 paragraphs ...]

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