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TPS5 Deleted Session April 9, 1980 4/52 (8%) spider artist web esthetic acclaim
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 9, 1980 9:01 PM Wednesday

[... 2 paragraphs ...]

(My own hassles with my side, groin and scrotum are the usual ones I’ve had at times before—especially last year at this time. My painting hasn’t been going well lately, and I’ve been concerned about that. Actually I’m trying a number of different painting approaches, and think I got sidetracked into too much experimentation, so as I told Jane I’m sure painting is involved in my upsets. However, at various times the pendulum has given me all kinds of other reasons for my physical ills: taxes, money, Jane’s symptoms, success and failure—the works, one might say. I was pretty disgusted and out of sorts by this evening. Still, through it all I’ve been sleeping well and eating okay also. I don’t suppose this description adequately describes the depth of my feelings, since I’ve really been bothered for some time, to the extent that I no longer feel free physically, and once again have contemplated seeking medical help as a last resort.

[... 2 paragraphs ...]

(A hard, refreshing spring rain, with thunder and lightning, was drumming against the house as we sat for the session. Very invigorating, to coin a phrase. It was warm. As I’ve told Jane several times lately, the renewing rain reminded me once again of the wonders of nature, and I thought once again of living a natural life outdoors in the environment of woods and elements, summer and winter. Maybe I did this in one life or another. But I often feel such stirrings on my late night walks on the hilly, shadowed streets neighboring our own Pinnacle Road.

[... 13 paragraphs ...]

If you listened to your own conversations now and then with—if you will forgive me—an objective ear, you could both often cut some of your troubles short, or nip them in the bud. (To me:) You were speaking to your guest John with some evidence of dissatisfaction in your voice, some self-accusation, some irritation, wondering why as a young man you did not make greater breakthroughs in your art. You wondered why at your age you had not come further in your painting, and literally why you did not know what you know now some 20 or even 30 years ago.

[... 21 paragraphs ...]

(I smiled at Seth as he stared at me, then shook my head. I had quite enough to think about for the evening. “No.”)

[... 9 paragraphs ...]

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