“Seth material” search engine (Jane Roberts)

(9:23.)In a way, now, the artist’s hand can be wiser than his questioning mind, certainly, if that mind learns to use its intellect in too obtrusive a fashion. We will return to this shortly, and skip to a conversation of last evening.

Your artistic abilities know what they are doing. You are not taught to understand creativity, of course. You are not taught how to live with it. If you study mathematics, there is a prescribed course. There are certain specified “facts” for you to learn. A good mathematician can still be a good mathematician while being quite closed off from many of life’s greater values. The artist takes the very qualities of living itself and transforms them into a kind of rarefied esthetic reality.

You are still learning. Your work is still developing. How truly unfortunate you would be (louder) if that were not the case. There is always a kind of artistic dissatisfaction that any artist feels, any true artist, with work that is completed—for the true artist is always aware of the difference between the sensed ideal and its created actualization—but that is the dimension in which the artist has his being (intently). That is the atmosphere in which his mental and physical work is done, for he always feels the tug and pull, and the tension, between the sensed ideal and its manifestation.