man

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TPS5 Deleted Session April 18, 1979 6/46 (13%) soda contemplation Maalox stomach disapprove
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 18, 1979 9:42 PM Wednesday

[... 16 paragraphs ...]

Now we have another man, who is also contemplative and determined—but this man is pursued by time. He must show that he produces so much work in a given number of hours, so that others will know that he is diligent and filled with the good male attributes of a provider. He is very concerned about the opinions of others, and he wants to see the effect of his work upon the establishments of the world. He wants to know where he stands, and he wants to fit a neat category, so that he can say to the world: “If you are a shoemaker, I am something as definite; or if you are a professor, I am a writer or an artist, or a —?” He wants his contemplation to pay off, and he is very anxious about where his money goes.

[... 1 paragraph ...]

The greater portion of your nature belongs to the first man, and the second set of characteristics has been overlaid, so that there is a rub between the two systems of belief and feeling.

[... 1 paragraph ...]

That “work,” however, is in your case the natural gift of the first man described—and he, it seems, must work under the demands of the second man, taking all of his ideas of time, sexual roles, and social demands into consideration. You are not nearly as free of those as you might suppose—and I have mentioned that before.

Moving to this house, (any house),brought those hidden demands into some prominence, and then the second man’s idea of a householder were further laid upon our first man’s shoulders. There is nothing wrong, certainly, and much pleasure, in taking care of your establishment—but not because you must prove something to yourself or to others.

With your projects of the past finished, the “man who needed a job” had no job. It was as if he were laid off, and immediately had to find a new job. That man approves of creative projects only when he thinks of them as jobs, when they become acceptable as legitimate male pursuits. Commercial art is beautiful there, for at one time it allowed you to paint because (underlined) you were immediately repaid, and that made art legitimate. (With some ironic humor:) I am laying it on here. And forgive a bit of gentle—gentle—sarcasm, but to your puritan American soul, art for its own sake, or contemplation, still somehow goes against the grain.

Your basic personality, the first man is immensely pleased simply that the money comes. He is pleased with the time that has been gained, with the abilities that he has used and developed, and filled with a natural creative zest. You have not completely approved of him, however. The taxes bothered you more this time because they fell just after your projects were finished. You have a nervous stomach—and (heartily) I would have one too if I were forever taking sides against myself, and not approving whatever side I happen to be on at any given time.

[... 21 paragraphs ...]

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