“Seth material” search engine (Jane Roberts)

Now we have another man, who is also contemplative and determined—but this man is pursued by time. He must show that he produces so much work in a given number of hours, so that others will know that he is diligent and filled with the good male attributes of a provider. He is very concerned about the opinions of others, and he wants to see the effect of his work upon the establishments of the world. He wants to know where he stands, and he wants to fit a neat category, so that he can say to the world: “If you are a shoemaker, I am something as definite; or if you are a professor, I am a writer or an artist, or a —?” He wants his contemplation to pay off, and he is very anxious about where his money goes.

With your projects of the past finished, the “man who needed a job” had no job. It was as if he were laid off, and immediately had to find a new job. That man approves of creative projects only when he thinks of them as jobs, when they become acceptable as legitimate male pursuits. Commercial art is beautiful there, for at one time it allowed you to paint because (underlined) you were immediately repaid, and that made art legitimate. (With some ironic humor:) I am laying it on here. And forgive a bit of gentle—gentle—sarcasm, but to your puritan American soul, art for its own sake, or contemplation, still somehow goes against the grain.