“Seth material” search engine (Jane Roberts)

I am describing attitudes. Years ago, when it looked—generally speaking, now: I am simplifying—as if you might be swallowed by Artistic, you rebelled and became ill. You made certain readjustments, the sessions began, time went on. You were not selling paintings to any considerable degree. Ruburt knew he would not take a full-time job either. You may sometimes forget now how vehement your joint ideas were in those years, against the ordinary individual’s prospect of working eight hours a day, year after year, in the same place, doing the same thing. So Ruburt added the necessity of money to his creative goals, in a strong fashion.

(10:00.) This often stimulated him to new accomplishments. The addition, however, brought with it a new sense of responsibility—not just to make money, but as his writings continued he wanted his creative work to be “responsible” and he began to discover that others, so it seemed, were all too ready to latch upon what he almost considered magical inspirational productions, and to follow them with very literal minds. So then his creative endeavors not only had to bring in money, but they had to be good, moral, responsible, for they were becoming part of a body of work.

The creative abilities, of course, do not think of bodies-of-work. They create out of the joy and natural necessity to do so, and their productions also exist in a realm far too large to be so easily categorized.

Your other attitudes, mentioned earlier, continued, and the more the world seemed to knock at your door, however gently, and the more the mail came, the more convinced you both became that your solitude must be protected. The attitudes mentioned belong to some extent to each of you. That is why, for example, you went along as long as you have with Ruburt’s condition. Neither of you liked it. To that extent, Ruburt does speak for both of you (as Jane said this noon), and in your own way both of you rewarded him for creative material, and withheld approval for any tendencies that ran counter to those mentioned attitudes.

The same sort of situation operates in millions of families, and the rewards that you gave each other for your creative endeavors were excellent, and worked beautifully. They still do. There is nothing wrong with the other attitudes. You did, however, both for years believe most firmly that your creative endeavors were dependent upon the need for protection from others, the world, from time, and even from any of your own characteristics that did not seem to fit into that overall pattern.

I realize your predicament, so do not think I am being unfeeling; and yet, my dear friends, on other levels those failures were considered successes. You finally got it through your heads that something had to be done, and something is being done. In the process, you see, your views of life are changing, and that change is showing that your creative abilities, if expressed, will automatically allow you to express your natures—your natures—and will lead you into your most advantageous way of life.