1 result for (book:tps4 AND heading:"delet session septemb 24 1977" AND stemmed:ruburt)

TPS4 Deleted Session September 24, 1977 13/61 (21%) Nebene foreshortening pendant Egyptian Framework
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session September 24, 1977 9:33 PM Saturday

[... 7 paragraphs ...]

Your house has been calm, Ruburt’s body has improved each day, and his work and yours have been productive. Because that statement was couched as it was, it did not bring any arguments to your minds. You read it easily. You did not question how your house was to be more calm, and indeed the suggestion itself was rather innocuous in its way, yet highly effective. The suggestions took hold, uniting Frameworks 1 and 2.

Several times this week, Ruburt imagined the two of you on a trip to Florida, with a trailer by the ocean; both of you working, of course, but quite happily. He began by thinking in practical terms in Framework 1: you could—could—do it now, though it would be difficult; but you could go to Florida. If you had to you could even fix it so Ruburt could eat mostly in the car, or in a van. So his thoughts went.

[... 4 paragraphs ...]

The physical time was nothing—a few hours—and physical time had to pass for the writing of the books. Yet those books will also influence future time in an important fashion. They represent concentrated experience in which Ruburt threw aside “for a time” the known beliefs of Framework 1, its laws and regulations.

Even Chestnut Beads, written so long ago, published in an obscure-enough—forgive me (humorously)—pulp magazine, reaches out into time, and affects a woman’s movement that then did not exist in your terms: Ruburt’s imaginative act in writing Chestnut Beads was that concentrated.

[... 9 paragraphs ...]

Your kitchen is a room you walk through in your house. Ruburt tried to explain this in terms of lighting, though that did not particularly apply. But you are everywhere surrounded of course by your own suggestions, physically materialized.

[... 2 paragraphs ...]

Ruburt earlier said, before the session, that he suddenly had an idea for a book, called The Beginning. He was creatively aroused. He did not wonder how he would get the paper to write it on. He did not question the mechanics. In the physical area he has questioned the mechanics. He has doubted his ability for reasons given in the past, and in the past, to some extent you helped him, and you did not reinforce his sense of physical ability. Now you are.

[... 5 paragraphs ...]

Now: the idea of a journey is always highly important, symbolically speaking, so that particular mental fantasy is a good one. It does not conflict with the details of any given day, and yet it acts to generate overall impetus, and emotionally places Ruburt out of the house.

[... 1 paragraph ...]

Ruburt would either read himself suggestions that he had thoughtfully written out earlier, or listen to a cassette that he had made. Another alternative is for you to give the suggestions in the role of hypnotist. Any of these methods, however, involve little effort, with important concentrated results, for you are taking time aside in the same way that I explained earlier you both do in the areas of your work. This involves accelerated suggestion.

[... 3 paragraphs ...]

When Ruburt sends out energy he feels no impediment in space, and has felt a straight line go out in whatever direction required. That is definitely a Framework 2 experience.

[... 5 paragraphs ...]

Your impressions of Nebene came while you were relaxed, thinking momentarily of something else, but with an overall desire to know more about Nebene. The creative principles are the same—that is why I am making these connections, so that Ruburt can insert what he wants in Framework 2 with little exertion of effort, and great benefit.

[... 1 paragraph ...]

His pursuit of truth led his mind outward through time. You use space. I use time. Time, again, can be lengthened, shortened. You can move sidewards in it, for example, as you do in space. These frameworks, one way or another, always involve alterations in time, even as Ruburt’s James and Cézanne books from the library involve information not usually available in Framework 1’s time sequence.

[... 3 paragraphs ...]

—and the suggestions in the session are not for my benefit. Ruburt’s eyes are improving, obviously, since he is working at his copy, and so forth. They do not protrude as much, and are improving in their appearance. They are also still adjusting, however, as the whole body posture undergoes changes. This is a quite natural procedure. If you trust the body then you trust that procedure.

[... 4 paragraphs ...]

Tell Ruburt I will see, again, that he gets help and inspiration in Framework 2 that directly affects his physical condition. A shove up there is a shove indeed.

[... 3 paragraphs ...]

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