“Seth material” search engine (Jane Roberts)

Several times this week, Ruburt imagined the two of you on a trip to Florida, with a trailer by the ocean; both of you working, of course, but quite happily. He began by thinking in practical terms in Framework 1: you could—could—do it now, though it would be difficult; but you could go to Florida. If you had to you could even fix it so Ruburt could eat mostly in the car, or in a van. So his thoughts went.

Framework 1 thoughts, but despite the restrictions they entailed, they still represented an important turn for the better. On several occasions he simply imagined the two of you in Florida, in the trailer as before, with no thought for how you got there.

The first thoughts, with their emphasis on detail, were still important, convincing him that such a trip was possible, even under present conditions. He was then free in his second imagining. Physically his ideas of motion, however, moved from the house—highly important. There was a creative use of suggestion—the second, of course, far better than the first group of thoughts.

Even Chestnut Beads, written so long ago, published in an obscure-enough—forgive me (humorously)—pulp magazine, reaches out into time, and affects a woman’s movement that then did not exist in your terms: Ruburt’s imaginative act in writing Chestnut Beads was that concentrated.