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TPS4 Deleted Session September 24, 1977 12/61 (20%) Nebene foreshortening pendant Egyptian Framework
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session September 24, 1977 9:33 PM Saturday

[... 2 paragraphs ...]

(The sketch of Nebene is rather successful and would make a good painting. Most interesting is the pendant I showed him wearing; I did a couple of enlarged sketches of this feature, noting that I didn’t understand its meaning or origin. I was quite surprised to find two days later, in the New York Times for September 12, a photograph that contained strong resemblances to my drawing of Nebene’s pendant: an Egyptian pendant possibly dating from around the time of King Tutankhamen, circa 1355 BC. It seems that currently Egyptian-motif jewelry is the rage in New York City, at least. My own notes contain a detailed chronology of events between my drawing, when we were given the newspaper containing the photo in question, etc. I asked that Seth possibly comment tonight. It seemed that the similarity between the Egyptian piece shown and my own drawing was a bit too coincidental. Nor do we know that much about the circumstances of the Nebene life to begin with. I thought it interesting that Nebene’s land, Jerusalem, say, was geographically next door to Egypt, and not great in physical distance, as far as miles go.

[... 5 paragraphs ...]

Several times this week, Ruburt imagined the two of you on a trip to Florida, with a trailer by the ocean; both of you working, of course, but quite happily. He began by thinking in practical terms in Framework 1: you could—coulddo it now, though it would be difficult; but you could go to Florida. If you had to you could even fix it so Ruburt could eat mostly in the car, or in a van. So his thoughts went.

[... 8 paragraphs ...]

He should use large, general suggestions of a positive nature that do not concentrate upon details that do not automatically give rise to contradictions with present behavior. I would like such suggestions inserted when he is already in a Framework 2 situation, for they will have double benefit there.

You had some good points when you told him, for example, to simply think of fixing rice, rather than worrying about how to do it. There, however, he was in his situation, saying “Well, I can do it, though it may be difficult,” then leading up to “Well, perhaps, since I know I can do it, I will then be able to do it easier”—needless thought steps to your position.

[... 6 paragraphs ...]

What you do in those situations is in a way concentrated. It does things to time because of your intents and because of the peculiar nature of Framework 2. Such physical areas are charged in that regard because the mental areas connected with them are. In a manner of speaking they are hypnotic containers, emphasizing what you want emphasized, and cutting off data that do not apply, or that is contradictory. You direct yourselves to concentrate in a particular fashion.

[... 2 paragraphs ...]

I do not want a concentration upon detail, however. He is indeed overall taller. His eyes are improving. His interest and improvement in the writing area will also help his general condition, for many reasons. It is perfectly natural, however, for him not to be happy at certain times, temporarily. When he feels that way he should tell you. That is different from projecting negatively into the future. I would like, however, some hypnosis—of the kind we have been speaking of—in the near future. This involves concentrated work, again, that foreshortens time.

[... 6 paragraphs ...]

Ruburt would either read himself suggestions that he had thoughtfully written out earlier, or listen to a cassette that he had made. Another alternative is for you to give the suggestions in the role of hypnotist. Any of these methods, however, involve little effort, with important concentrated results, for you are taking time aside in the same way that I explained earlier you both do in the areas of your work. This involves accelerated suggestion.

[... 6 paragraphs ...]

In Framework 2 the mind affects the physical brain in a more complete and effective manner than usual, and can spark images, thoughts, or correlations that exist in a context outside of the time that is happening in Framework 1. Time happens at a certain regulated rate, then, obviously, in Framework 1. A certain amount of time is needed there to do a certain amount of work, and according to scientific dictates a specific amount of effort is required to perform different kinds of work.

Framework 1, to some extent or another, however, is always influenced by Framework 2. There, the same correlations do not apply between the effort expended and the work performed, or the time required for such procedures. Very little effort, there, comparatively speaking, has an effect here in Framework 1—that is, a small amount of effort in Framework 2 can result in extraordinary work done in Framework 2, and with a foreshortened time effect.

[... 3 paragraphs ...]

His pursuit of truth led his mind outward through time. You use space. I use time. Time, again, can be lengthened, shortened. You can move sidewards in it, for example, as you do in space. These frameworks, one way or another, always involve alterations in time, even as Ruburt’s James and Cézanne books from the library involve information not usually available in Framework 1’s time sequence.

[... 3 paragraphs ...]

—and the suggestions in the session are not for my benefit. Ruburt’s eyes are improving, obviously, since he is working at his copy, and so forth. They do not protrude as much, and are improving in their appearance. They are also still adjusting, however, as the whole body posture undergoes changes. This is a quite natural procedure. If you trust the body then you trust that procedure.

[... 6 paragraphs ...]

(A note: When Seth remarked about the pendant Nebene wore being an unorthodox procedure for those times, it reminded me that I’d had the same thought while doing the drawing. However, I forgot to write it down in my notes, and didn’t mention it to Jane.

[... 1 paragraph ...]

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