“Seth material” search engine (Jane Roberts)

A good deal of the time he has been writing well, operating in Framework 2. Whenever you operate in Framework 2 in any area, to some extent you enrich other areas of your life. He was excited last evening about Seven, and in that period of physical time he forgot his problems, and he dealt with the challenge of the book in the same way that he can learn to handle the physical situation.

The physical time was nothing—a few hours—and physical time had to pass for the writing of the books. Yet those books will also influence future time in an important fashion. They represent concentrated experience in which Ruburt threw aside “for a time” the known beliefs of Framework 1, its laws and regulations.

Suggestions always imply an impetus directing action. Your entire household is a suggestive structure. Your writing room, Joseph, is a physical reminder of your intents, filled with not only books and papers, but the implied suggestion that gives them reality. It is of course no coincidence that you have a writing room and a studio—not simply one or the other, so that the two rooms show the two important interests of your life.

Ruburt earlier said, before the session, that he suddenly had an idea for a book, called The Beginning. He was creatively aroused. He did not wonder how he would get the paper to write it on. He did not question the mechanics. In the physical area he has questioned the mechanics. He has doubted his ability for reasons given in the past, and in the past, to some extent you helped him, and you did not reinforce his sense of physical ability. Now you are.

His pursuit of truth led his mind outward through time. You use space. I use time. Time, again, can be lengthened, shortened. You can move sidewards in it, for example, as you do in space. These frameworks, one way or another, always involve alterations in time, even as Ruburt’s James and Cézanne books from the library involve information not usually available in Framework 1’s time sequence.