“Seth material” search engine (Jane Roberts)

Oftentimes he was not sure what his next book would be, but overall he never doubted there would be a next book. He did not imagine impediments that might rise to prevent a next book being written—nor did he doubt his ability to write one, or any number of books. At times he might think of writing in one area or another, but his imagination did not set up barriers: it was always receptive to new ideas, casting about for new experiences, consciously involved in the process of creativity.

To Ruburt that is taken for granted—for there he operates extraordinarily well, mixing and merging the realities of Frameworks 1 and 2. The practical results of course appear in Framework 1, while the real creativity takes place in Framework 2. Understand that I make these divisions for simplicity’s sake, for the realities are merged. In “trying to get better,” Ruburt has taken impediments for granted, not only generally but specifically. In his books he lives in and with the present. Manuscripts that did not jell are simply forgotten, so he is supported in those terms by a background of success.

In Ruburt’s dream last night, he was dancing. His physical body carries that memory. The actual muscles involved were rehearsing. The dream in Framework 2 is as much a definite plan for a normally walking body as any Oversoul Seven that did result in the book. The original Seven did come from a dream, from a drama occurring in Framework 2—but there were no negative beliefs to block it, no habits of erecting impediments. Other dreams of Ruburt’s health did not materialize because their creativity was blocked by an insistence upon following, in that regard, the most limiting of Framework 1’s premises.

(10:10.) There is no difference between the idea of a book and the idea of a normally walking body. It is simply that in one area Ruburt, and you secondarily, have insisted upon relying upon the conventional levels of existence. Therefore, your confidence was undermined.

When Ruburt writes a book the paragraphs take care of themselves. It is his way not to concentrate upon details. He does not wonder how he constructs a paragraph. In the area of his physical condition, however, he does concentrate upon details: how to get up, how to go to the bathroom, how to do thus-and-so—an uncharacteristic mode of behavior.

It takes physical time to write a book, so some physical time must be allowed for the normal behavior of Ruburt’s body. The book is being created, however, before it appears, and in an easy manner. This is what can happen as far as Ruburt’s body is concerned: forget what you think the body can or cannot do. Forget the details that you think must happen before Ruburt can walk properly. Follow my suggestions, and know that the necessary work is being done completely outside of physical time, so that improvements can occur of a significant nature without any particular conventional expected processes that must first occur.

Our sessions came from outside of time in that fashion. So do Ruburt’s books. So did your home. So did your existence—and so can Ruburt’s flexibility. Again, I will see that you do have help in Framework 2, and in the dream state.