1 result for (book:tps4 AND heading:"delet session septemb 17 1977" AND stemmed:creativ)
[... 7 paragraphs ...]
The two of you have been working much closer together, however. Your remark therefore instantly alerted him, and in spite of company coming almost immediately, and in spite of his worries generated by the projections, he did immediately use your remark in such a way that he was challenged creatively to change his approach at once.
[... 13 paragraphs ...]
For example, you can see this operate in terms of creativity: money comes to you now without new work involved, in terms, say, of paperback sales. Those paperback sales were latent, so to speak, when the hardcover books were sold. In the same way highly significant improvements not yet visible, are in the offing in Ruburt’s condition, that will, say, seemingly require no effort when in your terms they do appear. All of this applies in the terms in which you are now working—that is, in your present framework.
[... 9 paragraphs ...]
(10:21.) Give us a moment.... In terms of creativity, however, Ruburt has long been operating in Framework 2, and this session should help him make certain correlations so that he can automatically begin to use such methods in regard to his physical condition.
[... 1 paragraph ...]
I simply want to remind you of that other level, so that you can begin—gently, now, gently—to alter your emphasis, to begin to emphasize the use of suggestion in a new creative way. I have used the word creative before, asking you both to utilize creative methods to the physical situation. What I was actually doing was trying to point you toward Framework 2, where you do each have faith in the nature of ideas, suggestions, and achievement. You know the power of an idea, but you have not applied that to the physical problem. I hope that the session will arouse you both in that regard.
[... 17 paragraphs ...]
The material follows its own flow: there are certain things I want to say, but how I say those things is colored and tinted by your own characteristics jointly, and your experience daily. Your different ways of working are obvious in your other creative endeavors, and your own questions and appliance to detail are highly important in your notes to our books, serving as important ribs, again.
[... 2 paragraphs ...]