“Seth material” search engine (Jane Roberts)

(The second instance involved the hassle we’ve been involved in with Elmira Video over mistakes in our billing. Has been dragging on since July. All the details are on file if needed for reference. Friday afternoon, when we received another erroneous bill, Jane called Elmira Video; the bookkeeper, Mrs. Trafzer, promised to call Monday to tell us what we owed. Over the weekend I found myself stewing about the silliness of the whole thing several times. I thought of legal action, among other things. Monday morning as I painted, I found myself doing the same thing. Rather irritably I told myself that I was throwing the whole thing into Framework 2, and that I wanted it taken care of.

Frank’s experience concerning his brother is a case in point. His brother did not know that the urban renewal gentleman was in that particular restaurant where the two might meet, and until the meeting did occur nothing showed in Framework 1, though much was occurring in Framework 2. The creative potential knows exactly what changes must occur in Ruburt’s body so that he can walk normally. It also knows what changes must occur in his mind—what conflicts must be resolved, and all of this is being taken care of. The process of his complete recovery includes body events and other events that may seem to have no connection—events perhaps that will change an attitude here or a belief there.

Your lack of knowledge can lead you to insist upon your own ideas of what must occur, or how or when. All of those people who might in any way help Ruburt change certain beliefs, for example, are notified in Framework 2, so that the most auspicious psychological events occur, triggering further body releases.

The Cézanne book, the show, your own interest in Cézanne, and your own painting abilities are also connected in Framework 2, along with the fact that Cézanne himself had a secondary interest in writing, that fell by the board, so to speak. Your own art interests have always attracted artists to our books in general, through Framework 2’s constant communication. There are individuals who go through many lifetimes with one main interest or desire, attaining finally a culmination that they have sought for. Cézanne was such a one. In those terms, his interests are now the same, but he no longer looks upon his historically known works, but considers them as background pieces, so to speak. He paints in another reality to which his own intent has led him, except that his creativity has opened up so that he no longer feels the same need for isolation.

(10:51 PM. I was tempted to ask Seth what life he was referring to, but that would have kept Jane talking longer.)