“Seth material” search engine (Jane Roberts)

Now: this analogy holds only so far, yet the firewalker’s performance can in a way be compared with Ruburt’s writing and psychic performance.

Give us a moment.... Ruburt, you see, does not say “I must have a certain new book next week.” He is so sure of his ability that he produces far more books in any given time than the majority of writers. Only his doubts lead him to worry that recovery might take too long. The recovery is taking place now in Framework 2. The now is important.

The Cézanne book, the show, your own interest in Cézanne, and your own painting abilities are also connected in Framework 2, along with the fact that Cézanne himself had a secondary interest in writing, that fell by the board, so to speak. Your own art interests have always attracted artists to our books in general, through Framework 2’s constant communication. There are individuals who go through many lifetimes with one main interest or desire, attaining finally a culmination that they have sought for. Cézanne was such a one. In those terms, his interests are now the same, but he no longer looks upon his historically known works, but considers them as background pieces, so to speak. He paints in another reality to which his own intent has led him, except that his creativity has opened up so that he no longer feels the same need for isolation.

His inspiration comes now from all of history, and from that larger reservoir he forms the new focus of his art. It was his secondary interest in writing, largely unexpressed in life, that formed some connective between he and Ruburt.

Now he removes debris, and desire is free to follow the natural lines of its own fulfillment.

I will end the session for the sake of his mouth now—