1 result for (book:tps4 AND heading:"delet session octob 31 1977" AND stemmed:new)
[... 2 paragraphs ...]
(1. Was there any connection between Jane’s Cézanne, and the New York City Cézanne show appearing at practically the same time? Did this have Framework 2 connotations? Both projects had been underway for a long time before surfacing to the public. See the note about William Rubin and the Museum of Modern Art, at the start of the last session.
(2. Did Cézanne “himself” have any sense of awareness, or of completion, connected with Jane’s book and the New York City show happening at the same time? Seth had said that William James did, in connection with Jane’s book about him, and his interest in gifted mediums. My own thought at the moment was that something different, or at least not the same, was involved with the Cézanne events—less personal.
[... 17 paragraphs ...]
Give us a moment.... Ruburt, you see, does not say “I must have a certain new book next week.” He is so sure of his ability that he produces far more books in any given time than the majority of writers. Only his doubts lead him to worry that recovery might take too long. The recovery is taking place now in Framework 2. The now is important.
[... 1 paragraph ...]
His inspiration comes now from all of history, and from that larger reservoir he forms the new focus of his art. It was his secondary interest in writing, largely unexpressed in life, that formed some connective between he and Ruburt.
[... 16 paragraphs ...]