“Seth material” search engine (Jane Roberts)

(2. Did Cézanne “himself” have any sense of awareness, or of completion, connected with Jane’s book and the New York City show happening at the same time? Seth had said that William James did, in connection with Jane’s book about him, and his interest in gifted mediums. My own thought at the moment was that something different, or at least not the same, was involved with the Cézanne events—less personal.

Frank’s experience concerning his brother is a case in point. His brother did not know that the urban renewal gentleman was in that particular restaurant where the two might meet, and until the meeting did occur nothing showed in Framework 1, though much was occurring in Framework 2. The creative potential knows exactly what changes must occur in Ruburt’s body so that he can walk normally. It also knows what changes must occur in his mind—what conflicts must be resolved, and all of this is being taken care of. The process of his complete recovery includes body events and other events that may seem to have no connection—events perhaps that will change an attitude here or a belief there.

Your lack of knowledge can lead you to insist upon your own ideas of what must occur, or how or when. All of those people who might in any way help Ruburt change certain beliefs, for example, are notified in Framework 2, so that the most auspicious psychological events occur, triggering further body releases.

The timing of such events is outside of your time, but the results appear within it. The intent is to walk normally—not just to improve. Then the improvements lead to that desired end.

You are also being treated, so to speak, with a variety of examples of how Framework 2 operates, and you will learn to recognize when you are making excellent contact there. Framework 2 includes all of the creative work behind the scenes, and your desire brings all of the necessary events together.