“Seth material” search engine (Jane Roberts)

The man not only walks, but he walks on fire—to most, a seeming impossibility. It seems to Ruburt that the firewalker must have an instant rapport with Framework 2, that Ruburt does not possess. Ruburt is in fact in constant rapport with Framework 2 when he is writing or psychically involved, and often he has contacts with other frameworks also.

The Cézanne book, the show, your own interest in Cézanne, and your own painting abilities are also connected in Framework 2, along with the fact that Cézanne himself had a secondary interest in writing, that fell by the board, so to speak. Your own art interests have always attracted artists to our books in general, through Framework 2’s constant communication. There are individuals who go through many lifetimes with one main interest or desire, attaining finally a culmination that they have sought for. Cézanne was such a one. In those terms, his interests are now the same, but he no longer looks upon his historically known works, but considers them as background pieces, so to speak. He paints in another reality to which his own intent has led him, except that his creativity has opened up so that he no longer feels the same need for isolation.

All portions of Ruburt’s body are gently and almost constantly being stretched and then exercised in the best possible order. He is able to walk in the meantime. The constant activity however prepares the body for normal walking, and exercises necessary portions, then stretches them further, so that while Ruburt is not walking more noticeably upright, he is indeed taller, particularly when standing; different portions are exercised when he is sitting or standing, so that each change can be counted upon for the next alteration in posture.