“Seth material” search engine (Jane Roberts)

(2. Did Cézanne “himself” have any sense of awareness, or of completion, connected with Jane’s book and the New York City show happening at the same time? Seth had said that William James did, in connection with Jane’s book about him, and his interest in gifted mediums. My own thought at the moment was that something different, or at least not the same, was involved with the Cézanne events—less personal.

The firewalker’s performance involves one overall clear-cut performance, in which faith has already been achieved, as in Ruburt’s writing, say. In the case of Ruburt’s physical situation, the response from Framework 2 has been immediate. The conscious mind is not able to follow the pieces of the puzzle, so to speak, as it is being put together. A sensation here, another one there, a pull of tendons, a sudden softening of tissue—such matters cannot be consciously interpreted. The response has not been complete, but it has been immediate.

It is possible, then, to have a sudden complete healing. In most such instance, however, the inner work has been progressing in Framework 2, and suddenly emerges in Framework 1. Desire, faith, and beliefs are the keys.

Frank’s experience concerning his brother is a case in point. His brother did not know that the urban renewal gentleman was in that particular restaurant where the two might meet, and until the meeting did occur nothing showed in Framework 1, though much was occurring in Framework 2. The creative potential knows exactly what changes must occur in Ruburt’s body so that he can walk normally. It also knows what changes must occur in his mind—what conflicts must be resolved, and all of this is being taken care of. The process of his complete recovery includes body events and other events that may seem to have no connection—events perhaps that will change an attitude here or a belief there.