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TPS4 Deleted Session October 31, 1977 8/41 (20%) Cézanne firewalker Trafzer Waldo Framework
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session October 31, 1977 9:40 PM Monday

[... 6 paragraphs ...]

(The second instance involved the hassle we’ve been involved in with Elmira Video over mistakes in our billing. Has been dragging on since July. All the details are on file if needed for reference. Friday afternoon, when we received another erroneous bill, Jane called Elmira Video; the bookkeeper, Mrs. Trafzer, promised to call Monday to tell us what we owed. Over the weekend I found myself stewing about the silliness of the whole thing several times. I thought of legal action, among other things. Monday morning as I painted, I found myself doing the same thing. Rather irritably I told myself that I was throwing the whole thing into Framework 2, and that I wanted it taken care of.

[... 11 paragraphs ...]

Frank’s experience concerning his brother is a case in point. His brother did not know that the urban renewal gentleman was in that particular restaurant where the two might meet, and until the meeting did occur nothing showed in Framework 1, though much was occurring in Framework 2. The creative potential knows exactly what changes must occur in Ruburt’s body so that he can walk normally. It also knows what changes must occur in his mind—what conflicts must be resolved, and all of this is being taken care of. The process of his complete recovery includes body events and other events that may seem to have no connection—events perhaps that will change an attitude here or a belief there.

Your lack of knowledge can lead you to insist upon your own ideas of what must occur, or how or when. All of those people who might in any way help Ruburt change certain beliefs, for example, are notified in Framework 2, so that the most auspicious psychological events occur, triggering further body releases.

[... 3 paragraphs ...]

His inspiration comes now from all of history, and from that larger reservoir he forms the new focus of his art. It was his secondary interest in writing, largely unexpressed in life, that formed some connective between he and Ruburt.

[... 2 paragraphs ...]

All portions of Ruburt’s body are gently and almost constantly being stretched and then exercised in the best possible order. He is able to walk in the meantime. The constant activity however prepares the body for normal walking, and exercises necessary portions, then stretches them further, so that while Ruburt is not walking more noticeably upright, he is indeed taller, particularly when standing; different portions are exercised when he is sitting or standing, so that each change can be counted upon for the next alteration in posture.

[... 1 paragraph ...]

The thighs are being worked on considerably. Following these procedures, the body posture can gradually right itself, and the necessary muscles will already have been activated and strengthened. Again, concentration should be on his creative activities, though he should read his statement, as he has been doing. The process also includes psychic insights and experiences, and all of these patterns fit together in ways that will be quite apparent after he has recovered.

Remember that the organizations in Framework 2 are different than your own, so you cannot know the means, but trust they will be taken care of. The statement and release of desire is all-important, and some psychological activity on Ruburt’s part has already occurred lately, that will be very important here.

You are also being treated, so to speak, with a variety of examples of how Framework 2 operates, and you will learn to recognize when you are making excellent contact there. Framework 2 includes all of the creative work behind the scenes, and your desire brings all of the necessary events together.

[... 9 paragraphs ...]

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