“Seth material” search engine (Jane Roberts)

The neck ligaments, as mentioned, and the jaw area were particularly involved. Ruburt had some habits he was only vaguely aware of. He used to close his eyes tightly, often, when he sat down, tensing the knee ligaments and the eyes at the same time. This was because the knees hurt. In another learned response he did not look sideways. When he reached for something to the side he reached like this: his eyes did not follow the motion.

The fact that you even sent books to artists and art institutions shows that you have changed your attitudes in Framework 1, thereby opening resources in Framework 2 that did not exist, practically speaking, earlier. Many artists have strong psychic leanings, whether or not they admit them. The Cézanne book will have more effect on the people that you sent it to than they realize, or may be apparent at this time, because you are uniting two strong forces—the artistic and creative ones. You should get some excellent responses, though some people will not want their names used.

The exercise I told Ruburt to do about dancing can also trigger responses on his part in ways now impossible to expect. All of the resources, the endless resources on Framework 2 are available to you, and you will use them in many areas, but you must trigger them through desire and intent, with the faith and belief that they are indeed available at your command, in the area in which you are interested.

Before, for whatever reasons, already given, you were each content with the status quo. You did not trigger the complete response, then. That is the secret.