“Seth material” search engine (Jane Roberts)

(10:17.) Added to this is the fact that joints now require lubrication. His head feels fuller, and other portions of the body also. These changes mean that the pressure in his ears and head changes. The lubrication allows more spontaneous actions on the part of the joints, ligaments, and muscles. To some extent the changing pressure accounts for the eyes’ protuberance, so that they have plenty of moisture and do not become dry as the eye muscles and other portions of the eyes exercise their new activity.

On occasions that you barely recognize, one of you has been in a doubting mood while the other was in a mood of faith, picked this up, and was able to change the situation also for the one who felt doubtful. Both of you at different times operated that way for the other, scarcely noticing.

Give us a moment.... If his knees could see, they would also be disoriented. (A great line.) The fear of the situation does not help, of course, for any such tension holds back the relaxing process—and the eyes are relaxing, and the neck and tendons, for example, letting go. Often at times when his vision is disorienting, that activity however also results in the better focus in reading that is coming about. Usually it is changes in focus that are involved. He will be reading fairly well, then perhaps look up at the television set, following motion of the screen, and then it will take time again—a few moments, perhaps before he reads well again. Or he will be reading well and look up, eyes roaming about the room, and then become disoriented visually.

Again, the more normal activities, as with the dishes, et cetera, that Ruburt tries, the more he states his intent to do normal things. The more his attitude changes, the more flexible he becomes, the more freedom he allows himself. You must not be afraid to hope, for hope always leads to faith.

The fact that you even sent books to artists and art institutions shows that you have changed your attitudes in Framework 1, thereby opening resources in Framework 2 that did not exist, practically speaking, earlier. Many artists have strong psychic leanings, whether or not they admit them. The Cézanne book will have more effect on the people that you sent it to than they realize, or may be apparent at this time, because you are uniting two strong forces—the artistic and creative ones. You should get some excellent responses, though some people will not want their names used.

You have made your first strong impression in Framework 2, however, in certain fashions, for it is the first time you have personally contacted people about these books in any concerted manner. That change of attitude is vastly important.