“Seth material” search engine (Jane Roberts)

Three years ago there was no Cézanne or James books. There was no evidence of them—no stacks of paper, no contract. James had been thought of, but Ruburt certainly had no idea he would, or could, possibly write a book on painting.

Now the books exist, for no impediments were put in the way here, yet again there was no physical evidence. Ruburt had written books before—but Ruburt has walked before also.

Give us a moment.... I hope over a period of time to explain Framework 2 even more clearly—and still for now your touch with creativity is your best method, for it comes naturally to each of you. And used as you have just begun using it, it can show you through action some issues most difficult to describe. It sets into motion all kinds of not only possible but rousing sentiments that of themselves have a restoring quality.

(“Well, I’ve got questions, but I don’t know whether he wants to continue or not. Let’s take a break.”)

He should look over his clothes, for example, lay out his special ones, or whatever, so that he can begin to feel he is capable of choosing his own attire for the day. A small point, but important, that he started out the day with that kind of choice.

Your own creativity being applied in this new fashion will also show its results in your painting and writing, for it adds a new cast, not only to your understanding of creativity, but to its application.

He has a strong constitution, for he left that alone. End of session, but I will have more to say concerning creativity and Frameworks 1 and 2. My heartiest regards, and a creative good evening.

(She still has to understand her automatic reactions of panic and fear of lost working time when I suggest going out, as I did today about going to the bank and post office tomorrow. But at least now she’s conscious of her reactions, as she said, and can do something about them from that position. It’s a certainty that she can much improve that situation.)