“Seth material” search engine (Jane Roberts)

Give us a moment.... In Framework 2, as mentioned, existence is also organized in a completely different fashion than you are used to. In that Framework, the best possible overall conditions for growth are available. Your firewalker seems to be breaking a natural law. He is simply acting according to another belief, but he is being true to his nature, which in this case led him to the desire for such an achievement. In Framework 2, therefore, the nature of each individual actively seeks out its own greatest potential, in the world of Framework 1, practically speaking, in the world where time and space are realities.

Ruburt was correct: your spontaneous creative self dwells in Framework 2. There, your nature is intimately known, with all of its unique characteristics and capabilities. There, automatically, computations are made so that you will meet, in Framework 1, with the necessary opportunities, situations, or whatever it is that your circumstances require.

Imagine, say, a young woman named Sally. She deals with people very well, exceptionally well. She has a mediocre voice, though pleasant enough. For whatever reasons, she decides that she wants to be an opera star. The desire is not in keeping with her own abilities. It may have been triggered by envy of another person, or for the sake of fame, but it does not fit her abilities. She may ignore the fact that her talents lie in having an excellent rapport with others. She puts into Framework 2 a desire that is not in keeping with her own best development. She may train her voice, take lessons, while yet she is thwarted at auditions, until it seems people are against her.

All of this is known in Framework 2. Even then, events will be arranged for her own good. She might, for example, through a series of seemingly chance encounters, end up in another branch of singing, less formal, where she also deals with her contemporaries, as in a music company.

Those desires that are in keeping with your nature meet no resistance. They are in fact promoted automatically. Ruburt’s walking is a case in point. The idea about the seminars in an example of Framework 2’s creativity, as it begins to provide goals that automatically imply physical flexibility and confidence.

(10:29.) He is beginning to release the desire to walk normally, rather just to ask for improvements—for before, he was not sure where he wanted those improvements to lead. The seminar idea means that he is changing in his mind, and that is where the changes must occur. The physical changes follow automatically. The desire to walk, released and expressed, again automatically triggers in Framework 2 all of the necessary conditions. The hints and clues then appear in Framework 1, and you build upon those significances.

Before too long, naturally, without effort, Ruburt will find himself visualizing himself outdoors, or in a restaurant, and the physical facts will follow. Before, his mental horizons did not include that activity. Already, at least mentally, he sees it can be easier to sit down in the bathroom, and that activity will follow naturally, without effort. Mental and physical events, then, form new organizations, and the interactions between Frameworks 1 and 2 become quicker, and, again, you have an accelerating activity.

Even when nothing shows in Framework 1, if you have properly inserted your desire there, then all the proper circumstances and conditions are being brought together. Again, they may suddenly appear, or they may not appear in the order in which you think they should, because your vision must be limited in comparison to that available in Framework 2.

I want to mention again that all kinds of events are involved with Ruburt, for example—physical, psychological, and even social. His improvements of late are excellent, and highly significant. They are the result of the faith you have built up thus far. Do not try to program the improvements. The descriptions given by James in the later part of the book actually apply very well to the creative medium of Framework 2, for your needs are anticipated and automatically provided for, if, again, you do not impede them through contrary beliefs.

I hope to go into the ways in which computations are made in Framework 2, and how they interact with your world. The body of course exists in Framework 2 also, or it could not exist in Framework 1 at all. You are in constant touch with Framework 2, then. It gives you your life.

(To me, in answer, evidently, to some of our conversation before the session:) You are already writing a book—you— in Framework 2. It simply waits for the proper conditions here. I do not want to overstress, yet again it is important that Ruburt use the words “normal walking” without comparing that desire to his present locomotion. But it must be the goal, clear and distinct.