“Seth material” search engine (Jane Roberts)

(I gave her the note finally on Sunday, and she answered it, so we’ll see what develops, if anything. I now felt that it was okay to answer it. She agreed that perhaps originally she wasn’t ready to handle it, for whatever reasons. I give this information here because it crops up in the session tonight.

(A note: This noon, Tuesday, I mailed to P/H Jane’s manuscript for James. She is now working on the epilogue.)

What attitudes do you have that still linger? How do you communicate them to each other? You both want Ruburt to walk normally now, and you are seeing results in terms of body releases and improvements. In the past you have been in the habit of putting off “distractions” until this or that book was finished until you were sure that you could cope with freedom. If Ruburt were better completely tomorrow, would he suddenly want to disrupt the whole applecart before “Unknown” was finished, and go to Florida?

The instances of Framework 2 activity as you become aware of them will show you the true nature of creativity, and acquaint you with the mental feeling of freedom and spontaneity. You have not understood the connections between your work and your life. A problem in a painting or in a book might be solved through an hour’s lovemaking, for often what might seem to be a problem of technique is, as you are beginning to understand, an emotional equation instead. None of your impulses are meaningless. You cannot separate your work from your life. Spontaneity as you understand it now, in the light of your knowledge, can only add to your work, for it is not meaningless license, nor is it composed of impulses contrary to your work.