“Seth material” search engine (Jane Roberts)

(Jane has been employing to good effect Seth’s suggestion about using the red star, as he gave that idea in the last deleted session. Various changes continue to take place throughout her body. For myself, I wanted Seth’s comments on the Spanish Framework 2 connections that he detailed last session, re Ryerson, Macdonnel, our books being translated, and the card from Carlos Smith; I wondered what had initiated any Framework 2 connections for us via Spain, since we had no interests of note there.

You had highly conflicting ideas about “the world of working people” and the world of the artist. You both made many artificial divisions there, but over the years you became determined, both of you, to spend as much or more time at your work as our hypothetical working man in the factory.

This is bound to inhibit creative inspiration to some degree. He felt he needed financial freedom in order to work, but in those terms work was equated with the Protestant work ethics, where spontaneity was frowned upon. Artistic work will show its own regularity. It will find its own schedules, but your joint ideas of work hours were meant to fit in with a time-clock puncher’s mentality, and not your own.

In Framework 2, your writing abilities were also known, of course, and they continue to develop, continue to seek for outlet, continue to search for a pattern; despite your relative abandonment of them, they came to the fore. It may not seem so, but only your ideas of time, and not time itself, relatively closes your mind to the idea of a book of your own. For once stated, that desire —which is a desire—would lead to insights and inspirations that would collect in odd hours, scribbled down in a few moments, that would lead quite easily to a finished product.