“Seth material” search engine (Jane Roberts)

(10:13.) It has been withheld because you have not understood your creative natures. Your own are obviously not limited to art, per se, or art would have satisfied you so completely, and taken your attention so completely, that you would not have looked in other areas at all, so there is a place meant for you, in which your artistic—meaning painting—writing, and intellectual capacities form a synthesis in which all those abilities take part, and are fulfilled. Spontaneity knows its own order.

The Spanish connection is important not because of Spain, but because of its international implications: the newer, broader field of your own thought. A small clue in a larger pattern, that your name and works are beginning to pop up more and more in other countries a ripple in an ever-increasing area of activity.

You have used your own abilities, both of you, and done well with them despite your overly protective attitudes toward them, and despite methods you used, Ruburt in particular, to insure their use. You cannot cut down physical freedom without inhibiting creative freedom, so to some extent Ruburt’s methods have inhibited his creativity. You cannot inhibit spontaneity in one area and not in another, but he did not get it properly through his head that spontaneity did not mean license, or that spontaneity was going to work against his work if he gave it half a chance. (Very intently.)

I want Ruburt, again, to encourage spontaneity in all areas, and to trust that the spontaneity is the result of quite orderly sequences in Framework 2, and of larger patterns of creativity that are not yet consciously apparent. I want him to allow for greater physical spontaneity, to perform a physical act when he feels like it, and for greater psychic and creative spontaneity, both in his working hours and outside them; to concentrate on creativity, not time; for then you use time and it does not use you.