“Seth material” search engine (Jane Roberts)

Now, to some extent, you and Ruburt felt enough the same way to make the analogy feasible, only Ruburt was the one who constructed the edifice that would protect his own abilities, first of all, and yours as well. Beliefs are the attendants—not strangers at all. With such an edifice, Ruburt can only use his abilities under certain conditions, and he imagines all kinds of impulses, situations, or whatever, that might steal them away, or steal away the time necessary to express them. Just like our millionaire, who everywhere imagines in the most innocent face the gluttonous look of the thief-to-be.

The dilemma between expression and protection is a paramount one in your world, and people handle it differently. Ruburt began to feel hopeless about his condition, more and more dissatisfied with it, yet no longer certain that he could dispense with it even if he made his mind up to do so. And you often felt the same way.

You must realize that expression and not repression is the natural complement of creative abilities, and that in freeing his body, in encouraging physical mobility, he also encourages and frees his inspiration, his psychic awareness, and creativity.

The whole area of work, time, inspiration and protection should be explored, and kept in the open, and Ruburt should write some kind of statement that expresses his understanding of the matter thus far, and states his questions. Try to arrange it so that the walking periods still give each of you, say, a certain amount of time between for your creative pursuits. I will have more at our next session. The important thing to remember is that the edifice was created, and can be torn down. Again—Ruburt’s body can perform better. End of session, and a fond good evening.