“Seth material” search engine (Jane Roberts)

(This morning Jane and I worked with the pendulum on the question of inspiration, and discovered that there was much there to be learned and clarified in her attitudes, and mine too, for that matter. The three pages of questions we devised are on file. We learned among other things that Jane felt she had to hold off on new inspiration while we fulfilled existing commitments—schedules and contracts, etc., and that she wanted to help type “Unknown” Reality, Volume 2, presumably, I thought so that she could get it out of the way so she’d be free to go on to other things. I hadn’t anticipated her doing that kind of “work,” though. This afternoon she did type on the first session for the book, though, and said she felt much better. We asked that Seth comment on the whole idea of inspiration for her, beyond material he’s already given.

I have given information on this before, but you settled upon the idea of work, as you think of it, because it was the only way at the time that you could justify art to yourself. Naturally, however, your working method is different, and is built up of an intricate series of quite complicated logical judgements involving spatial relationships—in for example particular kinds of immaculate gradations. I am speaking of your painting now.

The dream initiated your pendulum work on inspiration, for to Ruburt to deaden yourself is to deaden inspiration, which to him is the quickness of life. Now he did this because of his ideas of work, and of jobs to be done, and effort.

You underplay your own intuitional abilities and spontaneity. The lines are not all that finely drawn. You are both coming along quite well now, but yes, you should cut Frank’s visits to every other week, for you need to concentrate now upon your own approaches. Many of Frank’s ideas are appallingly shortsided, and while you are working with your own beliefs a visit every other week is enough for now—without courting Frank’s opinions, as can happen when Ruburt wants Frank, in conventional terms, to acknowledge improvements that are definitely occurring, but that Frank is too slow to perceive.