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TPS4 Deleted Session May 15, 1978 7/45 (16%) timeless truth quandary daffodils fleeting
– The Personal Sessions: Book 4 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session May 15, 1978 9:10 PM Monday

[... 3 paragraphs ...]

(Our daily pendulum work continues, and continues to get good results. Each day brings something new. Jane has been extremely sore in her arms, shoulders, rib cage, and so forth today, yet she was able to stand taller, by leaning against the bathroom door frame, than I’d seen her do in a very long time. It’s part of the rhythmic healing process going on in her body, as Seth described it recently, moving through different areas successively, followed each time by new releases. Jane said her knees felt very light and considerably looser.

[... 3 paragraphs ...]

Largely, he has stopped projecting negatively into the future. There are a few lapses, but overall he is changing that habit—and the point of power has helped him considerably there. He is discussing his feelings openly with you. That, plus your pendulum work, prevents fears from going underground again. He is quite importantly beginning to change the viewpoint from which he previously viewed his reality. There is a line in the point of power material to that regard.

He has not as yet changed his viewpoint to that of a normally flexible person, but it is vastly improved from the one he had only a short while ago. It is true that he is quite aware of his bodily conditions, and yet overall he is not concentrating upon them, or regarding them negatively. The new viewpoint, with its new attractions—helping with work, helping with house chores—these automatically take his mind elsewhere, and act as further stimuli. And remember, they are the result of loving creative inspirations, again, the table and the chair, you follow me?—

[... 10 paragraphs ...]

Yesterday Ruburt received some excellent ideas for Seven, which shows that he is beginning to change his attitude, and he should continue to read those work sessions.

[... 9 paragraphs ...]

Do not think of breaking it up into segments, but rather as the rhythmic flow of desired activities. You will want to paint, to prepare “Unknown.” Now painting is in one regard timeless, though it will flow into time. “Unknown” is timeless, yet it will flow into time. Yard work is not timeless. It can be a joyful exercise of the body, the natural life being reinforced, and it can also provide feelings of timelessness, so that in that regard your love of timelessness can be combined with your love of the moment.

[... 7 paragraphs ...]

On the other hand, he becomes upset if people cannot make truth work in literal terms. He is very touchy on that point, and yet he becomes very angry if people try to make truth too practical. Why can’t truth make people want to live? Why can’t truth be used as a prescription? The suicide story bothered him simply because it reminded him of Will (Ives), who had attended classes, and of a friend of Venice’s, who committed suicide many years ago, although a session was held for her.

[... 2 paragraphs ...]

Ruburt’s feelings after his nap involve the material given earlier, primarily on two lives in one, but also are based upon old feelings you are now handling in your pendulum work, that are in the process of being resolved but the strong time elements are strongly involved.

[... 3 paragraphs ...]

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