“Seth material” search engine (Jane Roberts)

Since you set yourselves such a course, then you obviously have a certain responsibility to both lives. They are your creations, after all. Almost all of Ruburt’s difficulty with time, and your own, spring from this basic quandary. For most people do not try that hard to preserve the living moment, or to understand it, while they are still involved with time’s physical package. Hence, to some extent your difficulties with “Unknown”—that is, with the notes—for you are trying to fit one dimension into another. A bold venture, and one that fits in quite will with your intents jointly to understand and preserve fleeting reality, and one that conflicts with your attempts to do this in the context of one physical time that passes.

Do not think of breaking it up into segments, but rather as the rhythmic flow of desired activities. You will want to paint, to prepare “Unknown.” Now painting is in one regard timeless, though it will flow into time. “Unknown” is timeless, yet it will flow into time. Yard work is not timeless. It can be a joyful exercise of the body, the natural life being reinforced, and it can also provide feelings of timelessness, so that in that regard your love of timelessness can be combined with your love of the moment.

You determine the time you want to spend with “Unknown”—time you want to spend, say, in the yard. For now the pendulum sessions are involved. You do not need to worry about hurting your friends or neighbors, who will understand quite well. You have only to firmly state your position, and they will follow, expecting this of you.