“Seth material” search engine (Jane Roberts)

Since you set yourselves such a course, then you obviously have a certain responsibility to both lives. They are your creations, after all. Almost all of Ruburt’s difficulty with time, and your own, spring from this basic quandary. For most people do not try that hard to preserve the living moment, or to understand it, while they are still involved with time’s physical package. Hence, to some extent your difficulties with “Unknown”—that is, with the notes—for you are trying to fit one dimension into another. A bold venture, and one that fits in quite will with your intents jointly to understand and preserve fleeting reality, and one that conflicts with your attempts to do this in the context of one physical time that passes.

(9:50.) Most artists, painters now, are lost, so to speak, in the moment or moments of the painting’s creation. The painting becomes the creation, and also it is the passing time of reality. Most artist, painters, do not feel the need, then, to “later” examine the moments of creativity themselves, nor to form still another subjective platform from which to examine the creative process.