“Seth material” search engine (Jane Roberts)

(2. I found myself wondering if my own attitudes might have strongly influenced Jane’s early psychic behavior in ways neither of us suspected—that she may have inhibited certain elements of her abilities because she feared my own ideas about distractions, time, failure, etc. Perhaps, Jane had wanted more physical and psychic activity all along, I thought—more tours, TV, publicity, fame, money, whatever—but all those things she held back on because of my own negative attitudes. I speculated about whether her sitting on such desires, not daring to admit them, say, might have surfaced as fear of scorn and criticism, and so forth. If such factors operated, they’d be the opposite of those we usually hold accountable. I do know that Jane has the abilities to perform all of those activities, and this almost idle realization recently may have triggered the more concrete question.

Your own ideas suited your temperament, but many of them did not particularly suit Ruburt’s. Again, I will elaborate on all of this at our next session.

(10:35.) Give us a moment.... There are, as Ruburt supposed, learned patterns superimposed upon his basic nature. This is of course natural with each personality. The creative self, however, left alone, and being in a Framework 2 reference, will take all aspects of life into consideration. It lights up all aspects of life. When Ruburt hampers it by trying to make it too specific, and ties it into distorted ideas of work, then divisions occur that need not occur.

Ruburt got so he wanted such encounters only if they fell into his ideas of work. I wanted to begin this material this evening. The main point for now that I want to make is that Ruburt does indeed perceive the world differently, and he cannot try to force that vaster kind of perception into the narrow confines of ordinary work ideas.

He is not just being creative when he is writing. He is being as creative when he contemplates the kitchen table in his own fashion, and is enjoying then a state of consciousness that is to some extent uniquely his own. The creative state of mind cannot be shut off and on, yet Ruburt has approached it only as it related to his ideas of work.